What Motivates Her?
Allyson Mitchell and Madelyne Beckles
January 18 – March 10, 2019
Opening Reception: Friday, January 18, 2019 at 7PM
In their respective practices, both artists
strive to make thought- provoking, eye-opening, powerful work about feminism,
sexuality and social stigmas. Thinking through intersectional queer feminist
embodiments and new materialism, together they create an interactive, sensorial
environment in the gallery informed by pop culture, deconstruction and feminist
gestures. Of their work they state: “We are two artists who struggle to
understand how we move and groove through feminism, family, violence, bureaucracy,
and the tasks of the everyday which can seem impossible, shameful and
ridiculous in this political moment. Our shared fantastic empathetic intuitions
are what we push and reveal in this exhibition that includes video, textile,
sculpture and prints.”
Their artwork often leverages traditional domestic practices, using recycled materials and imagery, including craft techniques and found objects. Using a destabilizing humour, this collaborative installation also addresses complicated negotiations facing artists engaged with politics and identity today, particularly when the impetus is on bringing gender and racial inequality into focus.
Instant Places: Breathing Room
Ian Birse and Laura Kavanaugh
March 15 – May 5, 2019
Opening Reception: Friday, March 15, 7:00 -10:00PM
Artists In Residence: May 1-5, 2019, Studio Two
Artist Talk: Thursday, May 2, 7:00 – 9:00PM
Field Art Workshop: Saturday, May 4,1:00 – 3:00PM
Artists Ian Birse and Laura Kavanaugh (AKA Instant Places) use performances, generative installations, and telematic networks to create instant places of imagination and connection. The artists design software instruments that generate infinitely-varied audiovisual transformations, and develop installation works that transform host galleries into immersive environments.
This new intermedia installation, Breathing Room is a meditation on complementary. Through multiple projections and a multi-speaker 3D audio field, the artists explain: “the generative machine creates a world in which encounters between frequencies of sound and spectra of colour create vibrations of difference, revealing a third presence that floats between sound and vision.”
As a collaborative team, Ian Birse and Laura Kavanaugh have travelled the world making Instant Places art on location throughout the UK/Europe, Australia, Japan, in the USA/South America and from coast to coast in Canada. Documents from recent projects and an extensive archive of works dating to 2001 may be found on their website: http://instantplaces.ca/
Andrew J. Paterson: Rectangular World
Project Room
March 15 – May 5, 2019
Andrew James Paterson is a Canadian inter-media artist active with video, film, writing, performance, curation, and musical performance. Rectangular World presents a series of Paterson's early experimental videos that explore his concern with the tensions between bodies, technologies, and institutions. His multidisciplinary practice is also engaged in a playful questioning of language, philosophy and community. Completely cameraless, and consisting almost entirely of Photoshop drawings, image streams and montages incorporating text, experimental sounds and abstract colour fields, these poetic and multi-layered video works push the limits of the medium in unexpected, surprising and engaging ways.
Courtesy of Vtape.
Home Economics: 150 Years of Canadian Hooked Rugs
May 17 – June 30, 2019
Opening Reception: May 16, 2019 at 7:00 PM
"Home Economics: 150 Years of Canadian Hooked Rugs" explores the unique stories and histories that have informed hooked rugs in Canada, the highly recognizable forms of folk art with roots in 19th-century North America. Selected from the Textile Museum of Canada's rich archive of international material culture, the exhibition represents generations of artisanal entrepreneurship, women's domestic and collective work, as well as rural development in Canada.
Among the significant works featured in "Home Economics" are seldom-seen historic rugs, including those by the "Gagetown Hookers" – Lydia and Raymond Scott – as well as contemporary pieces by Maritime artists Nancy Edell, Deanne Fitzpatrick, Hannah Epstein and Joanna Close, with Toronto's Barbara Klunder and Heather Goodchild, and Yvonne Mullock from Calgary.
Whether the result of the imagination of the maker or the use of a prepared pattern, this exhibition celebrates a highly visible part of folk culture in Canada, and explores how craft and commerce have been deeply entwined, producing iconic expressions that speak to individual artistry, skill and creative imagination as well as the broader social and economic landscape.
Curated by Shauna McCabe, Natalia Nekrassova, Sarah Quinton and Roxane Shaughnessy.
Organized and circulated by the Textile Museum of Canada with the support of the Museums Assistance Program of the Department of Canadian Heritage
Image credit: Nancy Edell, Peter and Nancy as the two-headed Dog (1993), 66 x 93 cm, Various yarns and burlap, Dalhousie Art Gallery permanent collection, gift of the artist, 1999. Photo: Steve Farmer
Remix Collective: We Come In Pieces
Main Floor Exhibition:
July 12 - August 25, 2019
Opening reception: July 26, 2019 | 8PM - ARTcrawl
Public Lecture: July 27, 2019 | 2-4PM
Remix Collective artists:
Karine Giboulo - Montreal
Claude Bolduc - Montreal
Terry Graff - New Brunswick
Norman Barney - Petrolia
Laurie Langford - Chatham
The Remix Gallery Collective is comprised of five Canadian artists from different backgrounds and life experiences who make sophisticated Outsider artwork. Mainly based in symbolism, Outsider Art is the antithesis of constrained and traditional. It expresses the turmoil of contemporary life through a kaleidoscope lens. With emphasis on Collage and Assemblage, “We Come in Pieces” will incorporate mythological and dreamlike distortions, resulting in colourful, creative and controversial pieces of art with a trace of humour. Made mostly from recycled materials, the artwork is outside the mainstream of art in Canada, particularly that seen in Canadian commercial galleries. It often has, but is not limited to, having political or sociological content. The Remix Gallery Collective prides itself in making art that is genuine, unique, and rooted in freedom.
Kelly Kirkham: The Best Defense
Mezzanine Exhibition:
July 12 - August 25, 2019
Opening reception: July 26, 2019 | 8PM - ARTcrawl
Artist Kelly Kirkham originally from Chatham, now based in Port Hope, constructs whimsical sculptures and installations based on futuristic hybridized creatures. In The Best Defense, Kirkham narrows her focus to the themes of ornamentation, distraction, anonymity, dependency, and aggression. This exhibition of new 2D and 3D works was made in an ongoing exploration of the ways in which we protect ourselves, and are given protection from others. Kirkham combines hard edge with soft, pale colour and saturated and expressive line work with fine detail as she asks the pertinent questions, "how are we protected and cared for in our society, and when does that cross the line into suppression and control by other people?"
The puppets displayed are an expression of this train of thought. Puppets distract, and do and say things we are not normally free to do and say. Most often they are seen as entertainment, but when looked at through the lens of protection, there is much food for thought there.
The Thames Art Gallery is located at the Chatham Cultural Centre, 75 William St. N. Chatham. The gallery is open Wednesday to Friday from 1:00-7:00PM; Saturday and Sunday 11:00AM-4:00PM.
* The Thames Art Gallery hosts 12 – 15 exhibitions each year. These include projects that feature regional, national, and international artists. This section of our web site provides current information on upcoming exhibitions and Gallery related events.
Thames Art Gallery exhibitions and programs are generously supported by the Canada Council for the Arts, the Ontario Arts Council, and the Municipality of Chatham-Kent.
